点评:The basilica of Santa Maria Assunta in Carignano, Genoa was designed by the architect Alessi from Perugia. In 1548 the task of building the basilica was entrusted to him by Sauli family. They wished to reproduce the Roman image of San Pietro, a sign of great intellectual ambition expressed through a choice of taste. The plan also included a multi-arch bridge which was built in 1718 and still exists connecting the old town and the new area. The basilica became one of the most emblematic examples of sixteenth-century architecture and one of the symbols of the great history of the city, which for its power and beauty was called "Superba". The fanciful reportaire of materials and colours would later mark the Baroque taste in Genoa. Inside the basilica is majestic- there are niches into pillars hosting colossal statues. Important masterpieces by Genoese and Italian famous artists are placed on the walls. Rubens took note of it and included it in the second edition of 'Palazi di Genoa' (ca. 1626).
翻译:位于热那亚卡里尼亚诺的圣玛利亚升天大教堂由佩鲁贾建筑师阿莱西设计。1548年,萨乌利家族委托他建造这座教堂。他们希望重现罗马圣彼得大教堂的形象,这体现了他们卓越的审美追求。设计方案还包括一座多拱桥,该桥于1718年建成,至今仍连接着老城区和新城区。这座教堂成为十六世纪最具代表性的建筑之一,也是这座城市辉煌历史的象征,因其雄伟壮丽而被誉为“Superba”(意为“超级”)。教堂中对材料和色彩的巧妙运用,后来也成为热那亚巴洛克风格的标志。教堂内部气势恢宏,柱子上的壁龛中供奉着巨大的雕像。墙壁上悬挂着热那亚和意大利著名艺术家的重要杰作。鲁本斯注意到了这一点,并将其收录在《热那亚宫》(约 1626 年)第二版中。