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This small but precious museum is the one to not be missed in Castiglion Fiorentino.
Pinacoteca di Castiglion Fiorentino的点评
点评：This art gallery, housing not only paintings but also sculptures and goldsmith works, is a small but far from negligible general art museum that does honor to Castiglion Fiorentino.
It's located in the former church of Sant'Angelo, on the left as you ascend the ramp leading to the "Cassero" esplanade. It opened here in 1991, while previously most of the works now housed here were located in the Palazzo del Comune.
Visitors will particularly notice the most striking paintings, such as a 13th-century painted cross — for which one critic even named Cimabue — a Madonna and Child by Taddeo Gaddi, and the Stigmata of Saint Francis by Bartolomeo della Gatta.
You won't be able to contain your amazement at the masterpieces in the goldsmith's section, such as the 13th-century French Holy Cross (donated by Louis IX, King of France), or the 14th-century bust-reliquary of Saint Ursula, by Franco-Rhine school.
Naturally, I've only mentioned the highlights: there's much more to admire in the museum, not least the original arrangement of artworks in the former church and other adjacent former religious buildings.
I have no hesitation in stating that this small but precious museum is the most not-to-be-missed in Castiglion Fiorentino (the Museum of Sacred Art of the Pieve di San Giuliano is in second place).
It's located in the former church of Sant'Angelo, on the left as you ascend the ramp leading to the "Cassero" esplanade. It opened here in 1991, while previously most of the works now housed here were located in the Palazzo del Comune.
Visitors will particularly notice the most striking paintings, such as a 13th-century painted cross — for which one critic even named Cimabue — a Madonna and Child by Taddeo Gaddi, and the Stigmata of Saint Francis by Bartolomeo della Gatta.
You won't be able to contain your amazement at the masterpieces in the goldsmith's section, such as the 13th-century French Holy Cross (donated by Louis IX, King of France), or the 14th-century bust-reliquary of Saint Ursula, by Franco-Rhine school.
Naturally, I've only mentioned the highlights: there's much more to admire in the museum, not least the original arrangement of artworks in the former church and other adjacent former religious buildings.
I have no hesitation in stating that this small but precious museum is the most not-to-be-missed in Castiglion Fiorentino (the Museum of Sacred Art of the Pieve di San Giuliano is in second place).
翻译：这座美术馆不仅收藏绘画作品，还收藏雕塑和金匠工艺品，虽小却不失为一座值得关注的综合性艺术博物馆，以此纪念卡斯蒂廖内·菲奥伦蒂诺。
它位于圣安杰洛教堂旧址，沿着通往“卡塞罗”广场的坡道上去，就在左侧。美术馆于1991年在此开放，此前大部分藏品都位于市政厅。
参观者尤其会注意到一些引人注目的绘画作品，例如一幅13世纪的彩绘十字架——一位评论家甚至认为它出自契马布埃之手——塔德奥·加迪的《圣母子像》，以及巴托洛梅奥·德拉·加塔的《圣方济各的圣痕》。
金匠展区的杰作定会让您叹为观止，例如13世纪的法国圣十字架（由法国国王路易九世捐赠），或是14世纪弗朗哥-莱茵画派的圣乌尔苏拉半身像圣髑匣。
当然，我这里只列举了部分亮点：博物馆内还有更多值得欣赏的藏品，尤其是原教堂及其他相邻宗教建筑中艺术品的原始陈列方式。
我可以毫不犹豫地说，这座小巧却珍贵的博物馆是卡斯蒂廖内·菲奥伦蒂诺最不容错过的景点（圣朱利亚诺教堂的圣物艺术博物馆位列第二）。
它位于圣安杰洛教堂旧址，沿着通往“卡塞罗”广场的坡道上去，就在左侧。美术馆于1991年在此开放，此前大部分藏品都位于市政厅。
参观者尤其会注意到一些引人注目的绘画作品，例如一幅13世纪的彩绘十字架——一位评论家甚至认为它出自契马布埃之手——塔德奥·加迪的《圣母子像》，以及巴托洛梅奥·德拉·加塔的《圣方济各的圣痕》。
金匠展区的杰作定会让您叹为观止，例如13世纪的法国圣十字架（由法国国王路易九世捐赠），或是14世纪弗朗哥-莱茵画派的圣乌尔苏拉半身像圣髑匣。
当然，我这里只列举了部分亮点：博物馆内还有更多值得欣赏的藏品，尤其是原教堂及其他相邻宗教建筑中艺术品的原始陈列方式。
我可以毫不犹豫地说，这座小巧却珍贵的博物馆是卡斯蒂廖内·菲奥伦蒂诺最不容错过的景点（圣朱利亚诺教堂的圣物艺术博物馆位列第二）。
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