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CANNOT miss this
Dar Am Taieb的点评
点评：A firm highlight of being in Sousse is stepping inside the full force interior world of Taieb Ben Hadj Ahmed 🙌🏼
I wasn’t prepared. No restraint, no editing, no hierarchy, just an all consuming accumulation.
Artwork, objects, textures, histories… layered, stacked, relentless.
Everywhere you look- something.
Everywhere you turn- more.
It’s excess as language. A total saturation of vision.
And not just artwork… tortoises wondering through, kittens threading the space, herbs, flowers, and plants growing throughout, the scent of fresh home cooking weaving through it all. The house is alive in every sense, pulsing and fragrant.
I was particularly struck by the series of black, rubber coated, mutilated female figures- Les Femmes Noires. Confronting, unresolved, carrying the weight of a dark and difficult history. They sit in the body long after you’ve moved on. Not decorative. Not easy. But Necessary.
Shelby the artist’s nephew, guided us through. One of those rare, incandescent humans. When my Phoenix’s belly turned, she was immediately settled, a hot cup of vervain, fennel and fresh mint pressed into her hands. Care as instinct.
Even Maxi- usually deep in teenage resistance- stopped. Fully locked in. No eye rolls, no detachment. Just awe.
It felt like stepping inside a mind that makes no concessions. Raw. Unfiltered. Unrelenting.
We didn’t want to leave.
Unforgettable. Not in a passive way, in a way that rearranges something.
I wasn’t prepared. No restraint, no editing, no hierarchy, just an all consuming accumulation.
Artwork, objects, textures, histories… layered, stacked, relentless.
Everywhere you look- something.
Everywhere you turn- more.
It’s excess as language. A total saturation of vision.
And not just artwork… tortoises wondering through, kittens threading the space, herbs, flowers, and plants growing throughout, the scent of fresh home cooking weaving through it all. The house is alive in every sense, pulsing and fragrant.
I was particularly struck by the series of black, rubber coated, mutilated female figures- Les Femmes Noires. Confronting, unresolved, carrying the weight of a dark and difficult history. They sit in the body long after you’ve moved on. Not decorative. Not easy. But Necessary.
Shelby the artist’s nephew, guided us through. One of those rare, incandescent humans. When my Phoenix’s belly turned, she was immediately settled, a hot cup of vervain, fennel and fresh mint pressed into her hands. Care as instinct.
Even Maxi- usually deep in teenage resistance- stopped. Fully locked in. No eye rolls, no detachment. Just awe.
It felt like stepping inside a mind that makes no concessions. Raw. Unfiltered. Unrelenting.
We didn’t want to leave.
Unforgettable. Not in a passive way, in a way that rearranges something.
翻译：在苏塞的一大亮点，便是踏入泰伊布·本·哈吉·艾哈迈德（Taieb Ben Hadj Ahmed）那充满力量的室内世界🙌🏼
我毫无准备。没有克制，没有筛选，没有等级之分，只有铺天盖地的感官盛宴。
艺术品、物件、纹理、历史……层层叠叠，令人目不暇接。
目光所及之处，皆是景象。
转身之处，皆是惊喜。
这是一种极致的视觉体验，一种视觉的彻底饱和。
不仅仅是艺术品……乌龟在屋内漫步，小猫穿梭于空间，香草、鲜花和植物遍布各处，新鲜家常菜的香气弥漫其中。整栋房子都充满了生机，脉动着，芬芳四溢。
我尤其被那组黑色橡胶包裹、残缺不全的女性形象——《黑女人》（Les Femmes Noires）所震撼。它们直面现实，悬而未决，承载着一段黑暗而沉重的历史。即使你早已离开，它们依然萦绕在你的心头。不华丽，也不轻松，但却必不可少。
艺术家的侄子谢尔比引导我们参观。他是那种罕见的、光芒四射的人。当我的女儿菲尼克斯肚子不舒服时，他立刻安抚好她，把一杯热腾腾的马鞭草、茴香和新鲜薄荷茶塞到她手里。那是出于本能的关怀。
就连平时叛逆的麦茜也停了下来，全神贯注。没有翻白眼，没有冷漠，只有敬畏。
感觉就像走进了一个毫不妥协的内心世界。原始，未经修饰，毫不妥协。
我们不想离开。
难以忘怀。不是那种被动的难忘，而是那种会改变某些东西的难忘。
我毫无准备。没有克制，没有筛选，没有等级之分，只有铺天盖地的感官盛宴。
艺术品、物件、纹理、历史……层层叠叠，令人目不暇接。
目光所及之处，皆是景象。
转身之处，皆是惊喜。
这是一种极致的视觉体验，一种视觉的彻底饱和。
不仅仅是艺术品……乌龟在屋内漫步，小猫穿梭于空间，香草、鲜花和植物遍布各处，新鲜家常菜的香气弥漫其中。整栋房子都充满了生机，脉动着，芬芳四溢。
我尤其被那组黑色橡胶包裹、残缺不全的女性形象——《黑女人》（Les Femmes Noires）所震撼。它们直面现实，悬而未决，承载着一段黑暗而沉重的历史。即使你早已离开，它们依然萦绕在你的心头。不华丽，也不轻松，但却必不可少。
艺术家的侄子谢尔比引导我们参观。他是那种罕见的、光芒四射的人。当我的女儿菲尼克斯肚子不舒服时，他立刻安抚好她，把一杯热腾腾的马鞭草、茴香和新鲜薄荷茶塞到她手里。那是出于本能的关怀。
就连平时叛逆的麦茜也停了下来，全神贯注。没有翻白眼，没有冷漠，只有敬畏。
感觉就像走进了一个毫不妥协的内心世界。原始，未经修饰，毫不妥协。
我们不想离开。
难以忘怀。不是那种被动的难忘，而是那种会改变某些东西的难忘。
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