点评:Review for exhibition “ Myth: The Beginning Story “
Art is inherently subjective, shaped by individual interpretation. Even when a work eludes full comprehension, one might still offer respect for the artist’s dedication or creative effort.
However, the majority of the artworks in this exhibition, with the sole exception of the sculptures—which stand as the only redeeming feature—reek of artificiality, unmistakably churned out by AI. The exhibits are jarringly eccentric, riddled with telltale signs of AI generation: incoherent compositions, sluggish execution, and a profoundly unnatural aesthetic. This display feels like a brazen attempt to masquerade as art, duping unsuspecting visitors into admiring hollow, algorithm-driven imitations of abstract expression.
Frankly, a small fraction—perhaps a quarter—of the works might hold fleeting appeal for the overly generous or undiscriminating viewer. But if your time in Busan is limited, I strongly urge you to bypass this lackluster exhibition. Save your energy for experiences that offer genuine artistic merit.
翻译:“神话:起源的故事”展览评论
艺术本质上是主观的,受个人解读的影响。即使一件作品未能完全理解,人们仍然应该对艺术家的奉献精神或创作成果表示敬意。
然而,本次展览中的大部分作品,除了雕塑——它们是唯一值得称道的亮点——都散发着浓重的人工气息,毫无疑问是人工智能的产物。这些展品怪异得令人震惊,充斥着人工智能的痕迹:不连贯的构图、迟缓的执行以及极其不自然的审美。这场展览感觉像是一次厚颜无耻的伪装艺术,诱使毫无戒心的观众欣赏空洞的、算法驱动的抽象表达模仿。
坦白说,一小部分——也许只有四分之一——的作品,对于过于慷慨或不加区分的观众来说,可能只有短暂的吸引力。但如果你在釜山的时间有限,我强烈建议你避开这个乏善可陈的展览。把精力留给那些真正有艺术价值的体验吧。