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The single best thing I did on my visit to Bristol
The Stradling Collection的点评
点评：I love stumbling on places like this when I travel. The Straddling reflects the eagle eye of the late Ken Straddling, who worked for and ultimately directed the Bristol Guild over 60 years. While building the shop's network of artisans, artists, and suppliers from the UK and Europe (especially Scandinavia), Straddling amassed his own collection of exemplary pieces that make up the collection here.
Move heaven and earth to sign up for one of the Saturday tours given twice monthly by curator Tanya Martin. She worked with Straddling and enthusiastically rattles off stories about seemingly everything in view (including the building itself). We hear a lot about "storytelling" these days, but the stories behind the objects really bring them alive. One surprising theme, represented by multiple objects, is the bond that local furniture manufacturer Crofton Gane forged with the influential modernist architect/designer/Bauhaus instructor Marcel Breuer.
Two unexpected pluses: a warmly welcoming staff, and the fact that you can actually hold and examine almost any object on display. Try that at the V&A—or any museum.
Beyond great design, the Collection provides a non-touristic glimpse into Bristol history during much of the 20th century. This low-key, uncrowded venue seems like an essential ingredient in Bristol's thriving art/design community. The term "under the radar" was practically invented for this place.
Move heaven and earth to sign up for one of the Saturday tours given twice monthly by curator Tanya Martin. She worked with Straddling and enthusiastically rattles off stories about seemingly everything in view (including the building itself). We hear a lot about "storytelling" these days, but the stories behind the objects really bring them alive. One surprising theme, represented by multiple objects, is the bond that local furniture manufacturer Crofton Gane forged with the influential modernist architect/designer/Bauhaus instructor Marcel Breuer.
Two unexpected pluses: a warmly welcoming staff, and the fact that you can actually hold and examine almost any object on display. Try that at the V&A—or any museum.
Beyond great design, the Collection provides a non-touristic glimpse into Bristol history during much of the 20th century. This low-key, uncrowded venue seems like an essential ingredient in Bristol's thriving art/design community. The term "under the radar" was practically invented for this place.
翻译：我喜欢在旅行时偶然发现这样的地方。Straddling 反映了已故 Ken Straddling 的敏锐眼光，他曾在布里斯托尔行会工作并最终担任该行会的负责人 60 多年。在建立商店的英国和欧洲（尤其是斯堪的纳维亚半岛）工匠、艺术家和供应商网络的同时，Straddling 还收集了自己的典范作品，这些作品构成了这里的收藏。
尽一切努力报名参加策展人 Tanya Martin 每月两次的周六导览。她曾与 Straddling 合作，热情地讲述着似乎可以看到的一切（包括建筑本身）的故事。如今我们听到了很多关于“讲故事”的说法，但物品背后的故事才真正让它们栩栩如生。一个令人惊讶的主题，由多个物品代表，是当地家具制造商 Crofton Gane 与有影响力的现代主义建筑师/设计师/包豪斯讲师 Marcel Breuer 建立的联系。
两个意想不到的优点：热情友好的工作人员，以及你可以亲手拿取和查看几乎所有展品的事实。在 V&A 或任何博物馆都可以尝试一下。
除了出色的设计，该收藏馆还提供了非旅游性质的 20 世纪大部分时间布里斯托尔历史一瞥。这个低调、不拥挤的场所似乎是布里斯托尔蓬勃发展的艺术/设计社区的重要组成部分。“低调”一词实际上是为这个地方发明的。
尽一切努力报名参加策展人 Tanya Martin 每月两次的周六导览。她曾与 Straddling 合作，热情地讲述着似乎可以看到的一切（包括建筑本身）的故事。如今我们听到了很多关于“讲故事”的说法，但物品背后的故事才真正让它们栩栩如生。一个令人惊讶的主题，由多个物品代表，是当地家具制造商 Crofton Gane 与有影响力的现代主义建筑师/设计师/包豪斯讲师 Marcel Breuer 建立的联系。
两个意想不到的优点：热情友好的工作人员，以及你可以亲手拿取和查看几乎所有展品的事实。在 V&A 或任何博物馆都可以尝试一下。
除了出色的设计，该收藏馆还提供了非旅游性质的 20 世纪大部分时间布里斯托尔历史一瞥。这个低调、不拥挤的场所似乎是布里斯托尔蓬勃发展的艺术/设计社区的重要组成部分。“低调”一词实际上是为这个地方发明的。
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